Album #304: Bitch Falcon – Staring at Clocks

Ireland is kicking out some great music right now, with Fontaines D. C., Girl Band, Just Mustard, The Murder Capital, Sons of Southern Ulster and Silverbacks just a few names off the top of my head. In addition, I’ve been looking forward to this debut album from Bitch Falcon, which landed on Friday.

Album #295: Nothing – The Great Dismal

The shoegaze revival has seen a number of fairly new kids on the block become raved about by aficionados new and old. Probably at the apex of these are DIIV, a band I like a lot. One or two others are Whirr, who I would have a lot more time for if they weren’t such jerks, and Ringo Deathstarr, who I’ve never really taken to.

Album #265: Jónsi – Shiver

Recently, I was trying to name my favourite album of every year in the ’10s, and for 2010, I went with Sigur Rós frontman Jón Þór “Jónsi” Birgisson’s solo debut Go. That may have been a result of how little new music I was listening to at the time, but it was a very good album. I saw him live just after its release too, and it was one of the most stunning live performances I’ve ever seen, even topping my experience of Sigur Rós.

Album #167: Pottery – Welcome to Bobby’s Motel

After a couple of very decent LPs last year, I’ve been looking forward to the debut album from zany and funky indie-rockers Pottery. Here it is, and it somehow feels like the perfect soundtrack to being in the midst of both a heatwave and a pandemic. It’s exuberant and danceable, yet surreal and nonsensical at the same time.

Album #110: X – Alphabetland

Well, well – a new X album! Where did this come from? Though the legendary LA punk band have never officially split up since forming in 1977 – largely keeping the same lineup in fact – it’s been 27 years since they last put out an album and though there was talk of them heading back into the studio, it was largely met with a “yeah, right!” reaction.

Album #11: Bombay Bicycle Club – Everything Else Has Gone Wrong

This isn’t a great thing to admit, but I wouldn’t say I’m a music fan who reacts too well to change. While most critics tend to expect bands to mature and develop their sound, I’m quite happy for them to stick to a winning formula, rather than try something new and stuff it up.

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